One of the best books (or possibly the best) book I have read all year. I normally don't like or appreciate mysteries or detective novels (will not go into any freudian explanations of how this points to not liking surprises or my relationship with my father), but this book was different.
It's told from the viewpoint of Lionel, a tourettic orphan growing up in the shadows (literally and figuratively) of Brooklyn. It's more than a murder mystery, but it's hard to say what else it is. Lethem explores Lionel's status as a double outsider, both from the world and his own group of fellow outsiders. His characters are all rich and poignantly real. Lionel's somewhat detached analysis of his own tics and status as a "freakshow" are intriguing and bring you deeply into his world.
The entire narrative was fast paced, but not so much where you don't want to savor each word. It was one of those books that I had to constantly read until I was finished, foresaking food, water and fun.
It dealt only slightly with issues of race and class. The two women in the book appeared simultaneously objectified and exhalted. But, each was of their own making. Race was dealt with only slightly; not suprisingly so though since this was a book about ethnic (white) new york. Danny, one of the orphans, was described as having a sort of affinity to black culture (through music, sports and friends) but hiding it around his boss. The black girls were untouchables, because the white boys were scared of them. Nothing really worth mentioning in these two realms. Nothing seemed to be done wrong.
Give this read 5 stars, no question. It's even better because it was optioned for a movie by edward norton.
***** Love it!
The plot summary is as follow:
SYNOPSIS: Hard-boiled crime fiction has never seen the likes of Lionel Essrog, the barking, grunting, spasmodically twitching hero of Lethem's gonzo detective novel that unfolds amidst the detritus of contemporary Brooklyn. As he did in his convention-smashing last novel, Girl in Landscape, Lethem uses a blueprint from genre fiction as a springboard for something entirely different, a story of betrayal and lost innocence that in both novels centers on an orphan struggling to make sense of an alien world. Raised in a boys home that straddles an off-ramp of the Brooklyn Bridge, Lionel is a misfit among misfits: an intellectually sensitive loner with a bad case of Tourette's syndrome, bristling with odd habits and compulsions, his mind continuously revolting against him in lurid outbursts of strange verbiage. When the novel opens, Lionel has long since been rescued from the orphanage by a small-time wiseguy, Frank Minna, who hired Lionel and three other maladjusted boys to do odd jobs and to staff a dubious limo service/detective agency on a Brooklyn main drag, creating a ragtag surrogate family for the four outcasts, each fiercely loyal to Minna. When Minna is abducted during a stakeout in uptown Manhattan and turns up stabbed to death in a dumpster, Lionel resolves to find his killer. It's a quest that leads him from a meditation center in Manhattan to a dusty Brooklyn townhouse owned by a couple of aging mobsters who just might be gay, to a zen retreat and sea urchin harvesting operation in Maine run by a nefarious Japanese corporation, and into the clutches of a Polish giant with a fondness for kumquats. In the process, Lionel finds that his compulsions actually make him a better detective, as he obsessively teases out plots within plots and clues within clues. Lethem's title suggests a dense urban panorama, but this novel is more cartoonish and less startlingly original than his last. Lethem's sixth sense for the secret enchantments of language and the psyche nevertheless make this heady adventure well worth the ride.
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